Un deliciu pentru perioada asta când stăm mai mult ascunși prin case.
Iată câteva dintre conturile pe care le poți urmări pentru o doză plăcută de inspirație.
1. Artsy (@artsy)
View this post on Instagram
“Whatever beauty that is found can be said to be born of painting.” —Leon Battista Alberti A bright spot in the week: David Zwirner’s @ArtBasel Online Viewing Room, “On Painting,” examines the historical context of artists who have helped redefine figurative painting—featuring works by Jeff Koons, Mamma Andersson, Noah Davis, and many more. Visit ➡️➡️ @davidzwirner to check it out. • — #JeffKoons, Gazing Ball (Botticelli Primavera), 2017-2020 — #AliceNeel, Young Man, c. 1965 — #NeoRauch, Die Handreichung, 2019
A post shared by Artsy (@artsy) on
2. Simon de Pury (@simondepury)
3. Klaus Biesenbach (@klausbiesenbach)
4. Christie’s (@christiesinc)
5. David Zwirner (@davidzwirner)
View this post on Instagram
Sigmar Polke #OnPainting: „You paint in those few moments when you can formulate something. But lying in wait for them, that’s very different from representing something and giving it shape.” Comics and cartoons long played a role within #SigmarPolke’s practice, from obscure, anonymous panels, as in this work, to universally recognizable figures like Spiderman and Superman. Early in his career Polke began using raster dots in his work in order to recreate the halftone printing process of the newspaper. ‘Ohne Titel (Untitled)’ depicts two isolated panels from a comic book separated by a hazy field of white raster dots against a black and gray ground. Bereft of narrative context and with empty speech bubbles, these two images, placed against this shifting, cloudy ground, emerge like fragments of a dream or television images encased in static. Tap the link in bio to explore ‘On Painting’ at #DavidZwirnerOnline. Pictured: Sigmar Polke, Ohne Titel (Untitled), 2006© The Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, GermanyCourtesy David Zwirner
A post shared by David Zwirner (@davidzwirner) on
6. Marian Goodman Gallery (@mariangoodmangallery)
7. Art Observed (@artobserved)
8. Gagosian Gallery (@gagosiangallery)
9. Hauser & Wirth (@hauserwirth)
View this post on Instagram
From cuttlefish ink to homemade walnut ink, watercolor to toner, and an endless variety of Japanese and specialty papers, #JackWhitten experimented extensively with the properties of different papers and mediums to create works that defy categorization. As the @brooklynrail writes, ‘Whitten’s drawings argue for a universal perception that transcends established artistic categories, embracing subjects as diverse as jazz, political violence, and gardens in outer space.’ Read the full review via link in bio. ⠀ #HauserWirth ⠀ Jack Whitten, Geometric Collusion #1, (detail) 1981
A post shared by Hauser & Wirth (@hauserwirth) on
Sursa
Comments
No Comments